http://campsite-studio.com/category/signage/
The signage plan Hara Design Institute created for the Nagasaki Prefectural Art Museum is stunning. It is complex in places, used to draw guests into the museum and it is subtly informative where people need to be guided through the space or provided with information.
All Design
http://campsite-studio.com/category/signage/
All Design’s London office is in a refurbished Victorian era dairy in Battersea at 33 Parkgate Road. They share this building with a whisky distillery, a boxing gym, a slow food kitchen, an Arabic art gallery, and a bar. Recently All Design created an awesome custom wayfinding system to help visitors navigate the meandering walkways and halls that lead from the car park in to all the different spaces within. The signage has all been fashioned out of fibreglass with the exterior, bulb-shaped sign acting as a pointer towards the building's entrance, as well as listing the businesses currently ensconced in the building.
http://campsite-studio.com/category/signage/
All Design’s London office is in a refurbished Victorian era dairy in Battersea at 33 Parkgate Road. They share this building with a whisky distillery, a boxing gym, a slow food kitchen, an Arabic art gallery, and a bar. Recently All Design created an awesome custom wayfinding system to help visitors navigate the meandering walkways and halls that lead from the car park in to all the different spaces within. The signage has all been fashioned out of fibreglass with the exterior, bulb-shaped sign acting as a pointer towards the building's entrance, as well as listing the businesses currently ensconced in the building.
Tina Stäheli–Shinohara
http://campsite-studio.com/category/signage/
This atypical way finding system designed by Tina Stäheli–Shinohara illustrates this perfectly. It falls somewhere between constructivist art and signage, thus changes how we engage and use it.
http://campsite-studio.com/category/signage/
This atypical way finding system designed by Tina Stäheli–Shinohara illustrates this perfectly. It falls somewhere between constructivist art and signage, thus changes how we engage and use it.
Ramiro Chaves
http://campsite-studio.com/category/signage/
Photographer, Ramiro Chaves, has captured some beautiful images of old signage, letter forms and unique objects. One of the more compelling aspects of his compositions is that the signs, letters or subject matter are not quite in the place or state they were originally intended.
http://campsite-studio.com/category/signage/
Photographer, Ramiro Chaves, has captured some beautiful images of old signage, letter forms and unique objects. One of the more compelling aspects of his compositions is that the signs, letters or subject matter are not quite in the place or state they were originally intended.
SOFTlab
http://www.designboom.com/design/pentagram-softlab-gimme-more-augmented-reality-at-eyebeam/
Developed for the EPFL+ECAL lab in switzerland, SOFTlab has designed the exhibition and graphics for the installation ‘gimme more.' Using large structures made of tyvek sheets, SOFTlab’s design defines the gallery’s open, industrial space. wrapped around suspended cardboard tubes to create volume, the panels act as dividers to help separate the installations and create an environment for the show. Back-lit by custom-designed lighting fixtures, the volumes contrast the texture of the tyvek to create a kind of glow at each installation. Pixel-like, modular typography forms the identity of the exhibition - scaled for various applications - from large graphics in the gallery window to the printed exhibition program. In exhibition signage, the triangular modules were cut out or projected to create type that was dimensional and constantly changing.
http://www.designboom.com/design/pentagram-softlab-gimme-more-augmented-reality-at-eyebeam/
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