Thursday, 10 April 2014

Precedent: Exhibition Architecture

Walter De Maria - "The 2000 Sculpture"
http://globalgraphica.com/2012/10/17/the-2000-sculpture-by-walter-de-maria-at-the-resnick-pavillion-los-angeles/

A pioneering figure in the development of minimal, conceptual, land art, and installation art, Walter De Maria has made minimalist horizontal sculptures that occupy entire rooms since 1969. Measuring 10 x 50 meters (approximately 33 x 164 feet), The 2000 Sculpture was first exhibited at the Kunsthaus Zurich in 1992. The initial installation of The 2000 Sculpture represented an ideal relationship between sculpture and architecture.



Zimoun
http://www.yatzer.com/zimoun-the-magician-of-spatial-sound-installations

Zimoun, a young artist from Switzerland, uses sound in order to create magic. In his installations, sound is used as an architectural element, it defines space and it makes the spectator be a part of a totally unique experience. He uses simple elements (cardboard boxes, cotton balls, plastic bags, filler wire, motors and ventilators) that when combined in the correct way they form an original orchestra of sounds. These sounds all at once define space, interacting with it as well as with the spectator. The final result is a bunch of kinetic installations that form their proper universe and almost seem alive.







Studio 400 - "White"
http://www.yatzer.com/White-Gallery-Installation-by-Studio-400

White is a spatial and interactive gallery installation reminiscent of relational art. It is an exhibition space, a meeting point, a ‘common room’ within a gallery and it is designed by Studio 400. The viewer has the chance to take part in the installation and become part of it. White has been constructed to be temporarily inhabited by the people who come to visit. The white space is calming, inviting and playful and it becomes a hub where people can explore the different books and enjoy them in a space made exclusively for them. 80,000 square feet of plastic sheeting have been sliced, loomed, woven, stapled, taped and tied to provide a climbable and malleable surface in the 4,500 square feet gallery space. Some bespoke book slipcases are scattered around this space, along with all the different research books. These laser-cut, clear acrylic panels, aka the bookcases, serve as the hanging elements that would be the interface between the installation and the user. This is very smart way of showcasing the books, as the visitors are invited to step in, crawl, climb and sit down and read the books. It is like a library space, which is interactive, non-static and fun.





42 Architects
http://www.dezeen.com/2011/05/20/twister-by-42-architects-for-topshop/

London studio 42 architects have created an installation of spiralling black tubes for UK fashion retailer Topshop. The temporary installation in London, which was conceived and built in three weeks, was created to display garments from Topshop's autumn/winter 2011 collection to the press. Twister proposes a spatial configuration built of swirls, swooshes, vortexes and eddys - manifested as a system of hand formed black PVC coated tubes onto which garments can be hung. Visitors are invited to follow the structure as it winds through the room, while encountering concentrations of displayed garments along the way. The black tube also acts to bind the various collections together into one thematic whole. Around the structure sits a second layer of smaller white structures; benches and tables that hold shoes, accessories and makeup displays, as well as acting as seats for visitors. 





People’s Architecture Office - "Pop up habitat"
http://inhabitat.com/gleaming-pop-up-habitat-made-from-repurposed-photographic-reflective-panels-packs-down-in-a-jiffy/pop-up-habitat-3/?extend=1

This eye-catching Pop-Up Habitat is made entirely of repurposed reflective panels used in photography. The panels are combined into a lightweight structural system that can be assembled and collapsed into a small package in minutes. Designed by Beijing-based People’s Architecture Office (PAO), Pop-Up Habitat was chosen as one of the winning projects at this year’s Architizer A+Awards competition in the Pop-Ups and Temporary Structures category. The Pop-Up Habitat is a modular, multi-purpose system made of reflective panels. It uses their rigidity, flexibility and collapsibility to create an array of spatial configurations. Each module consists of two halves that can be easily folded and transported in small packages. The versatility of the material allows it to be assembled into different structures-auditoriums, galleries, canopies and other shelters. Modules can form arches and rooms or free-standing decorative structures. Easily assembled by unskilled labour, with modules attached with nothing but Velcro, these structures can have infinite number of variations and patterns. They are playful and visually engaging, and allow even children to be architects.



Site Analysis

Description
Size of exhibition spaces - individual rooms from 25 to 51 square metres (in both the historical as well as renovated parts of the palace).
Floor load - weight for second floor has a max of 300kg/square metre; weight for the third floor has a max of 150kg/square metre. Each space is specific, therefore its important to consult your floor load with PQ organiser in advance
Celing height - 4.4 to 4.8 metres
Chandelier height - 2.5 to 3.4 metres
Historical tapestry, mirrors, stoves and chandelier installed in the historical part of the building

Access
Exposition materials must be delivered manually using stairs
Sufficiently wide staircase and high main doorway
No elevator available

Electricity
Electricity source will be secured in 2 KW (230V) for each exhibition room

Room options
A2 - 51 square metres, 3 exterior windows
A9 - 27 square metres, 2 exterior windows
A4 - 30 square metres, 2 exterior windows

As a group, we decided on using room A2 because it has the largest floor space, thus has the greatest potential in creating a exhibit that meets the requirements of the brief. This room is located near a wide staircase, thereby would be ideal for the spatial designers and performance groups to transfer larger objects or structures into the provided space.







ADD PHOTOS OF PHYSICAL MODEL

Constructing the brief

The National Exhibition for the Prague Quadrennial of Performance design and space
http://www.pq.cz/en/-space-exhibition.html

About
The Prague Quadrennial of Performance Design and Space is the largest scenography event in the world and explores a wide range of scenographic practices – from stage design and costume design to lighting design, sound design and new scenographic practices such as site-specific, applied scenography, urban performance, costume as performance, and more. PQ continues to expand the territory of performance design and space as it includes performance art practice and performative environments along with the scenographic and theatrical: the Prague Quadrennial 2015 (PQ15) invites participants to explore scenography as a performative environment and shared space.

Innovations for PQ15 include the requirement for National exhibitions to address one of three themes – Music, Weather or Politics; and the move of the Quadrennial into the urban centre, within a range of historic or gallery spaces. As part of a series of workshops national curators will receive detailed information about the sites in an April 2014 workshop in Prague. New Zealand’s National, Student and Space exhibitions will all address the theme of weather, Ahua o the Rangi.

Space Section
The Space component of the quadrennial addresses the symbiotic relationship between performance and the constructed environment. The Space commissioner, Serge von Arx, describes the exhibition as located “not merely at the meeting point of architecture and performance but where the two fields penetrate each other.”

New Zealand’s entry to Space is focused on developing Weather as a volatile set of engagements between the human body and designed space. It sees the relations between space, the designing of space, and its sensorial engagement as a curious and particular weather system. It asks how we engage with this unpredictable atmosphere in Aotearoa, how it influences our thinking about space, and our performances in relation to it. The Āhua o te Rangi contribution to Space seeks work that develops this crossing of the human body, time and material space.

New Zealand Architects, Designers and Artists, are invited to submit projects – architecture, spatial structures, spatial events – that consider questions of Pacific weather. (They may expand on the invisible performances behind the designing of space, the potential for built space to be responsive and perform, the potential for the body to influence the material reality of space; they might be in the form of buildings, installations, performances or works of scenography. They will be works that “are experiential, involving all the senses and relate distinctly to the specificity of the site they occupy for any duration of time” (Serge von Arx). A curated selection of projects will be displayed at the New Zealand Space exhibition at the Prague Quadrennial 2015.

Basic Requirements
- One dance performance (contemporary)
- One physical costume
- Seven objects or artefacts from performance (props/models on set/objects on display)
- 10 screen works, preferably interchangeable (iPads/projectors)
- One sound work